2024 - Leppate loo gis jumtukaayu mbuug la (Everything is a music instrument)
A community project with Eugenia Seriakov (Cate Hops)
Ucycling and building musical instruments in Gandiol, Senegal
2023 - Contingent Snapshot II
Radio broadcast/event with Eugenia Seriakov (Cate Hops)
12 hours transnational hyper-local site-specific radio broadcast, September 10th 2023, 22 radio transmissions worldwide
2023 - Contingent Snapshot
Radio program/event with Eugenia Seriakov (Cate Hops)
12 hours transnational hyper-local site-specific radio broadcast, May 20th 2023
2022 - Abito Sonoro
Abito sonoro is a wearable sonic device with embedded sensors, it is designed to collect data from the contacts, movements and proximity of the wearer
2022 - Rituals of Wasted Technology (for Marco Barotti)
Technical assistance for Rituals of Wasted Technology at Silent Green, Berlin
2021 - Corals (for Marco Barotti)
3d design and printing for Corals
2020 - Thicket
Interactive installation
A forest of singing circuits
Premiered 13-17/9/2020, Worm, S/ash Gallery, Rotterdam
2019 - Visualadja
Software, algorithmic reactive visual
Reactive visual featuring complex sound analysis and both steerable and automatic audio response
2019 - Eliszabhot
Software, synthesizer and algorithmic visual generator
Conceived as the easiest instrument to play noise music and visual projection on a laptop
2017 - Discomfort Dispatch
Transnational DIT series of events dedicated to experimental improvised music
2016 - Tonto
Noise and drums hip-hop extravaganza
2016 - Perpetuo
Acousmatic piece for multichannel system
premiered on April 22nd, 2016, Rome, Piazza Tevere, Italy
2015 - On tridimensional music reproduction
Thesis and software development of Ambisonic tools
2015 - Fesso
Feedback Engine Sound System Ordeal
Self-built electronic instrument, developed since 2015
2015 - Tacet Tacet Tacet
Experimental audio/visual solo project
2014 – Inferno, Canto V
Acousmatic piece for ambisonic system
Premiered on 23-29 June 2014, Pesaro, Rossini Conservatory, Italy
50A Mostra Internazionale del Nuovo Cinema
Acousmatic work for a third-order ambisonic system, realized with the facilities offered by LEMS laboratory at Rossini Conservatory. The piece, realized on a concept by Lucia Ferrati, is an electronic music composition based on the 5° chant of Divine Comedy by Dante Alighieri.