Life indisputably developed on a path distancing ourselves from a so-called natural environment. While the basic concept of what nature is, will forever be a rich ground for disputes, no one can deny that how we shape our homes and artifacts in industrialized countries, reminds us very vaguely of what once was a symbiosis with the environment. On the contrary, we’ve searched for, and created phenomenal tools to cheat the real weather, stop the growth of plants or flatten the biodiversity to be around animals that either serve us a purpose or are too small and insignificant to make us any damage. How much is too much? Can humans flourish having only representations of what before was part of us? Posters, documentaries, games, all together in a make-believe version of interaction to an ecosystem. “Thicket” stage a fake biophony, a dumb imitation of a population of sounding birds and insects by mean of the most refractory and residual technological obsolete device. Natural soundscapes changes with different times of the day, fading between different timbres and sound aggregation processes, instantly reacting to the approach of humans: the same mechanism is represented as simple as that. The installation may be perceived as a grotesque parody of the approximated representations of nature such as aquariums or plastic fowers: cheap beauty from inappropriate imitation of nature, represents the sound of the guilt of humankind towards nature, a space where technology fails an attempt to create comfort and provides a disturbing distorted representation of the world.